Scenic Skills

Scenic Communicator, Scenic Artist

Richard Burton Theatre - RWMCD 2024

Directed by Benjamin Till

Costume Design by Rose Thomas and Emily Cantwell

Set Design by Theo Wyatt

Scenic Artists - Finn Jaques, Dominic Sha, Maisie Frater, Robin O’Connor Lowe, Rachel Katz, Caley Cantwell, Night Akter

Production photography by Jorge Lizalde

Skills: Wood Grain, Scaling images from model, materials costing on excel, communicating with designer and scenic artists.

Model Box made by Theo Wyatt
“80s Veneer” wood grain sample. Using emulsions, glaze, and various brushes
Painting doors with wood grain effect using emulsions
Painting table with wood grain effect with emulsions
Scaling up graffiti style illustrations from model
Painting the illustrations onto set pieces colour by colour, using model as reference
Finished paintings
Painting wood grain onto 32 window frames
Finishing touches on set in the space during paint call.

Scenic Artist

Sherman Theatre - 2024

David Seligman Opera School

Director - Caroline Clegg

Set Designer - Jana Lakatos

Costume Designer - Kirsty Kennedy and Amy Adair

Production Photography - Kirsten Mcternan

Scenic Painters - Dominic Sha, Finn Jaques, Night Akter, Maisie Frater, Caley Cantwell, Ola Ebbut, William Dean, Rachel Katz, Robin O’Connor Lowe

Skills - Marble effect, Wood Grain.

Painting Drum stand with black emulsion
Masking out the lines for the gold.
Finished drum stand with gold accents and gloss glaze.
First layer of blue marble, using goose feather to lay out the lines, then brush to blend.
Blue and cream marble effect with ROSCO paints using goose feathers and stippling brushes to blend.
Used goose feather and ROSCO paints to paint cream marble onto the steps
Cutting out black felt for the Cyclorama
Priming bed frame to be painted

The Old Library 2024

Designer - Pamala Howard

Photography - Jake Morely

Scenic Artists - Ola Ebbut, Dominic Sha, Maisie Frater, Finn Jaques, Night Akter, Robin O’Connor Lowe, Rachel Katz, Caley Cantwell.

Scenic Artist

Skills - Large scale collage, large scale painting, scaling from an image, realising an artists ideas from model.

Pamela Howard’s model as reference
Collaging with strips of painted paper
Mixture of paper collage and painting with emulsions.
Using emulsions to paint scene of Port Talbot from a reference. Layering paint to create smokey effect.
Reference of the Miners from book
Used graphic paint strokes to build up shapes of the miners.
Collaged with painted paper to create shapes of people, and did detail line work with paint.
Exhibition get-in and paint call. Putting all of the work up on panels and doing finishing touches.

Sculpting